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CURRICULUM VITAE 

Home Address:
 

912 Colborne St.
London, Ontario
N6A 4A4 
Tel: Home 519 672 6928 
E-mail: komoodie@uwo.ca 

 

Education: 


Master of Fine Arts (studio), 1979, Concordia University, Montreal.  
Thesis: “Body Language as a Vehicle of Continual Communication in the Visual Arts,” 160 pp., 31 illustrations.
Honours B.A. in Visual Arts, 1974, University of Western Ontario, London, Ontario.  
Deanís Honour List, 1973, 1974.

Academic Appointments:


University of Western Ontario,[ June 1980-Jan. 1, 2020] London, Ontario, Associate Professor [Limited Term]. 

Other Employment:


Public Utilities Commission, City of London, Drawing Classes, 1979-80.
International Y.M.C.A., Montreal, Quebec, Community Services Projects, Painting and Drawing Classes for Children and Adults, 1977-79.
City of Montreal, Painting and Drawing Classes for Children and Adults, 1977-78.
Separate School Board, Sault Ste. Marie, Ontario, Adult Art Education Classes and Children’s Classes in Painting and Drawing.

 

Community and Public Service:


Ontario Arts Council Chalmers Grants Jury, Spring, 2009.
Board, Museum London, 2004-2010.
Juror, RBC Investments New Canadian Painting Competition, 2004.
Acquisitions Committee, Museum London, 2002-2005.
Board, McIntosh Gallery, London, Ontario, 2000-2005.
Canada Council B Grant Jury, Fall,1996                                                                      

Juror, “Look Now,” Sarnia Public Art Gallery, Regional Exhibition, 1993.
Ontario Arts Council Project Cost Jury, 1991.
Canada Council Art Bank Jury, 1988.
Advisory Panel, Artists Project Grants, Ontario Arts Council, 1987.
Ontario Arts Council Project Cost Jury, 1987.
Ontario Arts Council Purchase Program Jury, 1987.  (This was the first jury in The initiation of the Ontario Art Councilís art collection.)                                                       
Advisory Panel, Funding for Parallel Gallery Spaces, Ontario Arts Council, 1986.    
Advisory Board, Embassy Cultural House, London, Ontario, 1986-1993.                         
Juror, Chatham Art Gallery Regional Exhibition, 1985.                                                       
Juror, Forest City Gallery, Southwestern Ontario Exhibition, 1985.
Artists with Their Work Program, Art Gallery of Ontario, 1985-1992.
Acquisitions and Exhibitions Committee, London Regional Art Gallery, London, Ontario,1983-88.                                                                      
Secretary, London Canadian Artists Representation Local, 1998

 

Selected Solo Exhibitions:


2016  “Any Dream Will Do,” Kim Moodie - Recent Paintings, Drawings, Photography, and Video,McIntosh Gallery, Western University, London, Ontario. 
2015 “Kim Moodie, Recent Drawings and Paintings,” Robert Poulin Gallery, Montreal, Quebec.
2014 “All But Not,” Woodstock Public Art Gallery, Woodstock Ontario.
2011 “All But Not”- Kim Moodie- Recent Drawings, Museum London, London, Ontario, 
2005 “Driftwood,” McIntosh Gallery, London, Ontario.
2003 “Lieye,” Michael Gibson Gallery, London, Ontario. 
2001 “Moodielingo,” Michael Gibson Gallery, London, Ontario. 
1999 “Kim Moodie: Recent Paintings and Drawings,” London Regional Art and Historical Museum, London, Ontario.
1995 “Kim Moodie/Recent Images,” Gallerie Christianne Chassay, Montréal, Québec.
1994 “Kim Moodie, Drawings,” Illingworth Kerr Gallery, Calgary, Alberta.
1994 “Everything and More,” University of Waterloo, Waterloo, Ontario.
1994 “Delirium, Eating Time,” Lithographs, Open Studio, Toronto, Ontario.
1993 “Drawings,” Gallerie Christianne Chassay, Montréal, Québec.
1993 “Mapping the Frontier,” Drawings, Dunlop Art Gallery, Regina, Saskatchewan.
1992 “Sense/Non/Sense,” Cold City Gallery, Toronto, Ontario.
1992 “Pirates,” Drawings, Art Gallery of Algoma, Sault Ste. Marie, Ontario.
1991 “Pirates,” Drawings, Art Gallery of Windsor, Windsor, Ontario.
1991 “Pirates,” Gairloch Gallery, Oakville Galleries, Oakville, Ontario.
1988 “Kim Moodie, Drawings 1986-87,” Woodstock Public Art Gallery, Woodstock,    Ontario.
1987 “Nomad Land,” Drawings and Paintings, Articule, Montréal, Québec.
1987 “Banshee Flowers,” Drawings, Gallerie Sans Nom, Moncton, New Brunswick.
1986 “Of Unknown Origin: Drawings 1984-86,” Glendon Gallery, York University, Toronto, Ontario.
1986 “Recent Images,” Drawings, Kingston Artists Association, Inc., Kingston, Ontario.
1985 “Homunculus,” Paintings and Drawings, Mercer Union, Toronto, Ontario.
1985 “Kim Moodie, Drawings 1983-84,” London Regional Art Gallery, London, Ontario.
1983 “Signs and Symbols,” Paintings and Drawings, Embassy Cultural House, London, Ontario.
1981 “Kim Moodie, Paintings and Drawings,” Forest City Gallery, London, Ontario.

 

Selected Group Exhibitions:
 

2020, “Hiding in Plain Sight,”  organized by Ron Benner, Jamelie Hassan  and Tariq Hassan Gordon, Embassy cultural House [Virtual], London, Ontario.
2019 “Heads,” McIntosh Gallery, curated by Sky Gladbush, McIntosh Gallery,  London, Ontario.
2018 “ Line and Verse, An Exploration of Visual Arts and Poetry, between Canada and Taiwan.” Organized by Prof. Heish[Visual Arts Dept., Chaigi University, Taiwan] and Carlina Chen. Shown at Cheung Yueung Esat Asian Library, toronto, Onatario and Chaiyi Cultural Meeting Place, Chaiyi county, Taiwan. 
2016 “Tribute and Tributaries,” Art Gallery of Ontario, curated by Wanda Nanabush, Toronto, Ontario.
2016 “Highlights From 150 Years of Art Making in London, “ Museum London, London, Ontario.
2016, “ The Desire to Collect, London Collects,” Museum London, London, Ontario.
2015- “Out of Line,” Contemporary Canadian Drawing, Oakville Galleries, Oakville, Ontario.
2015- “Mixed Grill,” Espace Robert Poulin, Montreal, Quebec.
2014- “Carte Blanche,” DNA Art Space, London, Ontario. 
2014 “ New Lines, Contemporary Drawings from the National Gallery of Canada,” The Art Gallery of Alberta, Edmonton, Alberta. 
2014 “You Really Got a Hold on Me,”  Oakville Galleries, Oakville, Ontario.
2014 “ Pirates de l’art,” McLure Art Gallery, Montreal, Quebec. 
2014 “Papier 14,” Contemporary Art Fair of works on Paper, Booth-Robert Poulin, Montreal, Quebec.
2014 “Visible Storage,” Museum London, London, Ontario.
2014 “Contemporary Drawings from the National Gallery of Canada,” the Mendel Art Gallery, Saskatoon, Saskatchewan.
2013 “No Boys with Frogs,” DNA Art Space, London, Ontario
2013 “ Passion and Panache, Remembering Brenda Wallace,” McIntosh Gallery, London, Ontario
2013 “More Than Two [Let It Make Itself],” The Power Plant, Toronto, Ontario. 
2013 “Stowaway,” curated by Patrick Mahon in conjunction with his solo exhibition at The McMaster Museum of  Art, Hamilton, Ontario.
2012 “The Embassy Cultural House, 1983-1990, “ Museum London, London, Ontario.
2012 “Interactivities and Lines of Light, Deuleuze, Guattari and the Arts,” McIntosh Gallery, Western University, London, Ontario.
2011 “Fantastic Details,: Building Materials for the Construction of Other Worlds,” curated by Laura Ritchie for the McIntosh Gallery, University College, University of Western Ontario, London ,Ontario.
2010 “Contemporary Drawings from the National Gallery of Canada,” National Gallery of Canada, Ottawa, Ontario.           
2009  “Uneasy Pieces,” Gairloch Galleries, Oakville Galleries, Oakville, Ontario
2009  “ Here Now and Nowhere,” Curated by Micah Lexier, organized by the Grande Prairie Art Gallery, Grande Prairie, Alberta.
2008-09 “Facts and Figures,” Museum London, London, Ontario.
2007  “ Black-Eyed Stars,” Museum London, London, Ontario.
2007  “For Example,” Mount Saint Vincent Art Gallery, Halifax, Nova Scotia.
2006  “The writing is on the wall,” Museum London, London, Ontario.
2005  “Other Worlds,” Jessica Bradley Art & Projects, Toronto, Ontario.        
2005  “Beyond Bounds, Art in London 180-87,” Museum London, London, Ontario.
2004 “It’s Up to You,” Oakville Galleries, Oakville, Ontario.
2002 “Manifestations,” Pierre-Francois Ouellette Art Contemporain, Montreal, Quebec.
2002 “Burton, Dzama, Moodie,” Art Gallery of Ontario, Toronto, Ontario.
2001 “Continuities,” Art Gallery of Windsor, Windsor, Ontario.
1995 “Murder,” Curated by John Yau: Patricia Forbes Gallery, Santa Monica, California; Threadwaxing Gallery, New York, New York; and The Center Gallery, Miami Dade Community College, Miami, Florida.
1995 “Black and White,” Anderson Gallery, Martha Jackson Place, Buffalo, New York.
1993 “Common Ground,” Open Space Gallery, Victoria, British Columbia.
1992  Cold City Invitational, Cold City Gallery, Toronto, Ontario.
1992 “Susan Day, Murray Favro, Greg Curnoe, Walter Redinger, Gerard Pas, Ed Zelenak, Kim Moodie,” Centre for Contemporary Art, St. Thomas, Ontario.
1992 “The Grid Unlocked,” Winnipeg Art Gallery, Winnipeg, Manitoba.
1991 “New World Order–Media War,” CIAC, Montréal, Québec; and Art Cite, Windsor, Ontario.
1987 “Written Images,” Art Gallery of Ontario, Toronto, Ontario.  Exhibition also travelled to Glendon Gallery, Toronto; Laurentian University Museum and Arts Centre, Sudbury, Ontario; Sarnia Public Library and Art Gallery; and Centennial Gallery, Oakville Galleries, Oakville, Ontario.
1987 “Homage to Marcel Duchamp,” London Regional Art Gallery, McIntosh Gallery, Forest City Gallery, London, Ontario.
1985 “Irene Xanthos, Judith Schwarz, Isaac Appelbaum, Kim Moodie,” Angorafonapas Gallery, Merida, Yucatan, Mexico.
1984 “How to Die Twice,” McIntosh Gallery, London, Ontario.
1983 “Chroma Living,” Toronto, Ontario.
1983 “Disarmament Show,” Embassy Cultural House, London, Ontario.
1980 “Four Profiles, Four Directions: Kim Moodie, Ralph Stanbridge, David Tomas, Irene Xanthos,” McIntosh Gallery, London, Ontario.

 

Collections:


McIntosh Gallery, 2017,1983, 1981.
la Peau de l’Ours, Montreal, Quebec, 2015.
Claridge Inc., Montreal, Quebec, 2014.
DNA Art Space, London, Ontario, 2013.
National Gallery of Canada, 2009.
University of Toronto, 2006. 
London Regional Art Gallery, 2001, 1995, 1984. 
Art Gallery of Windsor, 1997 Art Gallery of Algoma, 1996. 
Montréal Museum of Fine Arts, 1995. 
Burnaby Art Gallery, 1995.
Art Gallery of Ontario, 1994. 
University of Waterloo, 1994. 
Oakville Galleries, 1993. 
Canada Council Art Bank, 2010, 1992, 1988, 1985. 
Air Canada, Montréal, Québec, 1984. 
St. Thomas Art Gallery, 1984.

Commissions:


2009  “Mirror,” A drawing commissioned by the Prairie Art Gallery, and Curator                    
Micah Lexier, for the exhibition “Here Now and Nowhere.” Reproduced full-page size in the Herald Tribune daily newspaper, January 7, 2009, pg,9.                                  

2006  “Untitled,” An Artist’s Project, Carousel Magazine, Vol. 19, Spring/ Summer edition 2006, pg. 43-451999        
1999  “Leopard.”  A poster promoting Oakville Galleries’ Art in Public Venues and School Programs, Oakville, Ontario.
1997/98  Portfolios 1, 2 and 3.  Three sets of limited editions of new prints by Canadian artists. Published by Paul Conway.
1997 “An Artist’s Project,” Canadian Art, Vol. 14, No. 3, Fall 1997, pp. 60-63.
1993  Clip Art–Full-sized details from drawings for Extensions, Vol. 3, No. 1, Print and Drawing Council of Canada. Ontario. 
1993  Visiting Artist, Open Studio, Toronto, Ontario. Produced seven editions of prints working with printer Cameron Sharpe.
1989  Calendar page, Canadian Print and Drawing Council.
1989  Front/back cover (drawings) of Border/Lines, issue No. 15, Summer, 1989.
1986  Silkscreen banner (10 x 4 ft.) for exterior of St. Thomas Art Gallery. 

Grants and Awards: 


Canada Council Visual Arts and Fine Craft Organizations, MMB Collective for “Just My Imagination” exhibition, 2004. 
Canada Council Visual Arts and Fine Craft Organizations, MMB Collective for “Just My Imagination,” exhibition, 2003.

Ontario Arts Council Visual and Media Arts Projects, MMB Collective for “Just My Imagination” exhibition, 2003.
Ontario Arts Council Senior Artist Grants: 2001, 2010 
Ontario Arts Council Project Costs Grants: 1993, 1991, 1986, 1985, 1979.
Ontario Arts Council Material Assistance Grants: 2014, 2011, 2003, 2001, 1998, 1994, 1991, 1987, 1985, 1983, 1981.
Canada Council B Grant: 1998, 1987.
Design Council of Canada.  An award for best design in a Canadian magazine,  Canadian Art, Vol. 14, No. 3, Fall 1997.

Selected Curatorial Practices: 


2004-07 “Just My Imagination: Contemporary Canadian Drawing-Based Practices..” Co-curated with David Merritt, and organized by MMB Collective and Museum London. The exhibition traveled from the Art Lab, University of Western Ontario, and Museum London, London, Ontario to the Art Gallery of Windsor, the Museum of Contemporary Canadian Art, Toronto, Dalhousie Art Gallery, Halifax, the Mendel Art Gallery, Saskatoon, the Algoma Art Gallery, Sault Ste. Marie, the Illingworth Kerr Gallery, Calgary, , the Southern Alberta Art Gallery, Lethbridge and the Kelowna Art Gallery. 
1994 “60 Cycle Activism.” Co-curated with Michelle Gaye. An exhibit of 7 videos for the McIntosh Gallery, University of Western Ontario, London, Ontario.
1994 “Bunch of Printmakers.”  John Labatts Visual Arts Centre, University of  Western Ontario, London, Ontario.  An exhibit of prints from the archives of Toronto’s   Open Studio print facility.ok cv
1993 “Common Ground- Seven London Artists,” Open Space Gallery, Victoria, B.C.
1987 “ Invisible Stories.” Four  Solo Exhibitions by Kate Wilson, Cathy Daley, John Hartman and Eugenio Tellez, Embassy Cultural House, London, Ontario. 

Lectures, Workshops ,Visiting Artist:

 

2016  In conjunction with the “Any Dream Will Do,” Exhibition at the McInosh Gallery in London, Ontario, I did two lectures on my work.The first was an open public forum and the second was to Donors to the Gallery.
2014  In conjunction  with  “All But Not” Exhibition at the Woodstock Public Art Gallery I did two lectures/presentations on my work: one to the general public, and the other to two classes from the Woodstock High School.
2013  “Ask the Artist,” a Student Night Public Program, the Power Plant, Toronto, Ontario. 
2011 Museum London, London, Ontario. Four lectures/discussions on the exhibition “All But Not.” One each to a] the general public b] the Youth Council of London c] a second year drawing and painting class from Fanshawe College d] an MFA class from the University of Western Ontario.
2008 Sheridan College, Oakville, Ontario {Lecture on my work}
2005 Nova Scotia College of Art and Design, Halifax, Nova Scotia {Lecture on my work and a critique of Graduate Student work}     
2005 McIntosh Gallery, London, Ontario, open discussion of my work.
2003 Department of Fine Arts, University of Guelph, Guelph, Ontario (Lecture and critiques in undergraduate and graduate programs)
2001 Pomona College, Claremont, California.  (Lecture on my work in the Art Department.)
1999 London Regional Art and Historical Museum, London, Ontario.  (Drawing workshop with children.)
1998 Oakville Galleries and Public School Board, Oakville, Ontario.  (Presentation of my work to primary school students.)
1995 Oakville Galleries, Oakville, Ontario.  (Drawing workshops with adults.)
1994 Alberta College of Art, Calgary, Alberta.  (Public lecture, third year drawing class critique, senior-level class seminar.)
1994  Nova Scotia College of Art and Design, Halifax, Nova Scotia.  (Public lecture, student critiques, seminar for senior-level drawing class, lecture on drawing techniques for 2nd year printmaking class.)
1994  University of Waterloo, Waterloo, Ontario.  (Public lecture, critique of graduate students.)
1993  Dunlop Art Gallery, Regina, Saskatchewan.  (Public lecture at the gallery, a lecture at the University of Regina, and critiques of student work.)
1993  Open Space Gallery, Victoria, British Columbia.  (Lecture on Common Ground exhibition.)
1993  University of Victoria, Victoria, British Colombia.  (Public lecture.)
1993  Comosan College, Victoria, British Colombia.  (Public lecture.)
1993  Burnaby Art Gallery, Burnaby, British Colombia.  (Public lecture.)
1993  University of Manitoba, Winnipeg, Manitoba.  (Public lecture at Winnipeg Art Gallery, critiques of senior-level studentsí work.)
1992  Fanshawe College, London, Ontario.  (Public lecture, drawing workshop with a second-year class.)
1992  Art Gallery of Algoma, Sault Ste. Marie, Ontario.  (Three public lectures.)
1991 Art Gallery of Windsor, Windsor, Ontario.  (Public lecture, critiques at the Fine Arts Department, University of Windsor.)
1991  University of Ottawa, Ottawa, Ontario.  (Public lecture, critiques of studentsí work.)
1991 Oakville Galleries, Oakville, Ontario.  (Public lecture, painting workshops with children.)
1988    St. Thomas-Elgin Art Gallery.  (Drawing/Painting workshops with 9-14 year olds to create a public mural.)
1988 Nova Scotia College of Art and Design, Halifax, Nova Scotia.  (Public lecture, critiques of student work.)
1987   Gallerie Sans Nom, Moncton, New Brunswick. (Public Lecture and studio  visits with artists.)
1986  University of Western Ontario, London, Ontario.  (Lecture for V.A.275E.)
1985  London Regional Art Gallery, London, Ontario.  (Public lecture.)

Bibliography: Catalogues: 


2020, “Hiding in Plain Sight,”  organized by Ron Benner, Jamelie Hassan and Tariq Hassan Gordon, Embassy cultural House [Virtual], London, Ontario.
2017-2018 “ Tribute and Tributaries, 1971-1989,” curated by Wanda Nanabush, ,Art Gallery of Ontario, Toronto, Ontario.
Cassandra Getty, “All But Not,”  Kim Moodie Recent Drawings, Museum London, London, Ontario, 2011.
The Magenta Foundation, “Carte Blanche V.2 Painting,” Toronto, Ontario, 2008.
James Patten, “Kim Moodie: Recent Paintings and Drawings,” London Regional Art and Historical Museum, London, Ontario, 1999.
John Yau, “Murder,” Smart Art Press, Santa Monica, California, 1995.        
Anne Wayson and Melissa Banta, “Essence and Persuasion: The Power of Black and White, Anderson Gallery, Martha Jackson Place, Buffalo, New York, 1995.
Russell Kezierre, “A Casual Totality: Kim Moodie Drawings,” Illingworth Kerr Gallery, Alberta College of Art, Calgary, Alberta, 1994.

Carol Laing, “Thinking through Exchanges, and the Work of Artists Teaching, <br>Practice and Pedagogy,” McIntosh Gallery, University of Western Ontario, London, Ontario, 1992.
Marnie Fleming and Barbara Fischer, “Pirates: Kim Moodie, Drawings,” Oakville Galleries, Oakville, Ontario, 1991.
Robert McKaskell, “Of Unknown Origin, Drawings, 1984-86,” Glendon Gallery, York University, 1986.
Matthew Teitelbaum, “Kim Moodie: Drawings, 1983-84,” London Regional Art Gallery, London, Ontario, 1984.
Madeline Lennon, “How to Die Twice,” MacIntosh Gallery, University of Western Ontario, London, Ontario, 1984.

Bibliography: 


Pamphlets and Reviews of Exhibitions, etc.
“ Toronto the Good in Two Histories,” Philip Monk, Momus, October 26, 2016.
“ How the AGO is finally paying tribute to the Indigenous art it previously didn’t appreciate, David Berry, the National Post,, Oct. 12, 2016.
“ At AGO-A River That Flows, Finally in Multiple Directions, Tribute and Tributaries taps into rich wells outside the City’s more official art history.” Murray Whyte, The Toronto Star, Oct. 16, 2016. 
“  New AGO Curator Wanda Nanibush shines light on Toronto art in the 80’s,”  Fran Schechter, Now Magazine, Toronto, Oct. 12, 2016.
“ AGO exhibition tackles an era of social turbulence in Toronto,” Bdad Wheeler, The Globe and Mail, Toronto, June 5, 2017.
“ New Exhibt highlights London-area Art through the Decades,” by Joe Belanger, London Free Press,  Feb. 5, 2017.
“ Any Dream Will Do,” interview with Katie Oaks, London Fuse Magazine, March, 2016.
“ The Art of Hair, “ Nadia Home Doherty, London Yodeller, March 31, 2016.
“ On the Canvas: Moodie’s Works Probe Concept of Time,”  Joe Belanger, London Free Press, March 18, 2016.
Laura Ritchie,” Fantastic Details: Building Materials for the Consruction of Other Worlds,” McIntosh Gallery, London, Ontario, 2011.
“ A world of grim realties and killer deer,” Murray Whyte, The Toronto star, Toronto Ontario, Dec. 10, 2009.
“ Here Now and Nowhere,” Exhibition Pamphlet, The Prairie Art Gallery, Grand Prairie, Alberta, January, 2009.
“ For Example,” Exhibition Pamphlet, Mount St. Vincent Art Gallery, Halifax, Nova Scotia, June, 2007.
Robert Enright, “Taking the Eye for a Walk,” Border Crossings, Issue No. 83, Fall, 2002.
Sarah Milroy, “Back in the mood for the simple pleasures of drawing: Masters of the Art in Canada,” The Globe and Mail, Toronto, Ontario, December 1, 2001.
Sandra Coulson, “Adventure stories told on canvas,” London Free Press, London, Ontario, April 26, 1999.
“The artist as murder victim, voyeur,” Toronto Star, Toronto, Ontario, October 24, 1995.
Nicole Winfield, “Artist as murder victim and voyeur,” The Citizen, Laconia, New Hampshire, October 21, 1995.
Nicole Winfield, “Exhibit explores artist as victim and voyeur of murder,”    The Vindicator, Youngstown, Ohio, October 15, 1995.
Geoffrey Tomb, “Exhibit A: Murder as art,” The Herald, Miami, Florida, September 7, 1995.
David A. Greene, “Overkill,” Los Angeles Reader, Los Angeles, California, February 24, 1995.
Diana Hart, “Mischief and mirth: For the love of toys,” Oakville Beaver, Oakville, Ontario, May 5, 1995.
“Confirmation la assistance de varios galerias a Expo Arte,” El Informador, Guadalajara, Mexico, April 16, 1994.
Nancy Tousley, “Artist’s world proves unique,” Calgary Herald, Calgary, Alberta, December, 1994.
Stephane Aquin, “Adams et Moodie,” Voir, Montreal, Quebec, October 21, 1993.
Greg Beatty, “Kim Moodie, Mapping the Frontier, Dunlop Art Gallery,” The Leader Post, Regina, Saskatchewan, April 12, 1993.
Greg Beatty, “Cyberpunk loan,” The Leader Post, Regina, Saskatchewan, March 24, 1993.
Robert Amos, “A walk downtown,” Times Columnist Newspaper, Victoria, British Columbia, 1993.
Robert McKaskell, “Unlocked Grids,” Exhibition Pamphlet, Winnipeg Art Gallery, Winnipeg, Manitoba, 1992. 
Kate Taylor, “Art about,” The Globe and Mail, Toronto, Ontario, September 4, 1992.
“Sault native returns to present exhibition,” The Sault Star, Sault Ste. Marie, Ontario, February 19, 1991.
Kate Taylor, “Artist invokes heroes, spirits from childhood,” The Globe and Mail, Toronto, Ontario, August 16, 1991.
Diane Hart, “Artist challenges western ideology of domination,” The Oakville Beaver, Oakville, Ontario, August 2, 1991.
Janet Wolff, “Art identity and the poetics of displacement,” University of Western Ontario Faculty Exhibition, McIntosh Gallery, London, Ontario, 1991.
Mary Malone, “Portraits of three artists: Wyn Geleynse, Kim Moodie, David Merritt,” London Magazine, November 1988.
David Tomas, “Kim Moodie: Article.”  Parachute, November 1987.
Jane Foy, “Age of technology confronts law of the jungle,” London Free Press, London, Ontario, March 1985.
Exhibition pamphlet, group exhibition, Angorafonapas Gallery, Merida, Yucatan, Mexico, 1985.
Pierre Fortin, London Free Press, London, Ontario, June 4, 1983.
Goldie Rans, “London, Ontario,” Vanguard, September 1983.
Janice Andrea, “Xanthos, Moodie, Stanbridge, and Tomas,” Artmagazine, November/December, 1980.
Dennis Kucherawy, “Four profiles, four directions,” London Free Press, June, 12, 1980.

Reviews of “ Just My Imagination,” (co-curated with David Merritt):

Peter Godard, “Back to the Old Drawing Board: Ancient Made New,” Toronto Star, Toronto, Ontario, Aug. 13, 2005.
Kevin Temple, “Sketches Reveal Raw Inspirations,” Now Magazine, Toronto, Ontario, July 21, 2005, Vol. 4,No. 47.
Gary Michael Dault, “ Just My Imagination,” the Globe and Mail, Toronto, Ontario, July 16, 2005.
Jim Anderson, “Canadian Artists Show Some Imagination,” Western News, London Ontario, Jan. 13, 2004.
Ben Benedict, “Just My Imagination,” Scene Magazine, London, Ontario, Dec. 2004.
Noel Gallagher, “14 Artists Show Imagination,” the London Free Press, London, Ontario, Nov. 12.

 

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